George Dussault - Galilee Productions

Here is a small selection of the hundreds of albums George has produced and performed on. Click on the album covers to hear or purchase the music!

Jai Fyre

Malyssa Bellarosa - Open Up

The Dust Ruffles' 'Innocent Filth EP' worth the wait

Review by Rob Duguay - Cranston Herald Sept 15, 2021

The Dust Ruffles Typically, when it comes to making anything, the more time it takes the better the result. It’s usually noticeable when something is hastily created versus being done deliberately.

For the Providence pop rock trio The Dust Ruffles, this is a great way to describe the making of their “Innocent Filth EP,” which came out Aug. 11. The record took a few years to finish, but musically it’s definitely worth it via the catchy harmonies and sonic elements at play. There are also subtle grooves and solid rhythms that accent various tracks within the EP.

George Dussault at Galilee Productions in Cumberland handled the production duties on the record while also lending his talents on electric guitar to one of the songs (ed: George actually played electric guitars on every song). Overall, there’s a consistent theme of love and heartbreak that flows throughout the record from start to finish.

“‘Innocent Filth’ has a theme of relationships and attraction,” guitarist and vocalist Tammy Laforest says about the EP. “It feels completely different from my deeply emotional previous solo album, ‘Copper’ which brought us together as a band. Though the lyrical content can be just as dark, the music feels upbeat and sexy. The music we create wakes up the audience, makes them dance, and even the ballads are powerful, especially with the addition of the string section in ‘Secrets’ and George Dussault’s electric guitar in ‘Waiting.’ I am proud to release a product that demonstrates what we are as a group.”

The reason why “Innocent Filth” took so long to make was because of life and other projects outside of the band. When COVID-19 shut everything down last year, it motivated LaForest, bassist Sharlene DeNardo and drummer Al Diaz to finish up the record.

“Aside from my own parts as the front person in the band, the album showcases the individual talents of each band member,” she adds. “There’s striking backing vocal parts and instrumental solos from both Sharlene on bass and Al on drums. This is what makes us The Dust Ruffles.”

“It was a long process,” DeNardo says. “We started this recording in 2015 with bass and drums and then life got in the way a bit and we all had started working on other projects. Then during the pandemic everything slowed down and we decided it was time to finish it. It was a great experience and George was able to bring in some strings and add piano guitar and organ. There wasn’t any rush so we could add things up little by little until we all felt like it was finally complete.”

“It was one of those EPs that took a bit of time to make, but once we completed it we were amazed by the result,” adds Diaz, a Cranston resident. “For us it was definitely worth the wait and I hope anyone who listens to ‘Innocent Filth’ will agree. George Dussault is a genius in the studio and he knows how to bring out the best of our musical abilities and make the band shine. We love working with him.” (ed: Thanks Al!)

Along with “Secrets” and “Waiting,” “What Am I On,” “Wild In The Middle,” “Romeo” and “Amanda” (ed: the song is called "Miranda") round out the rest of the EP. It’s a stellar record with songs that’ll stick in your head in a good way. It’s also ideal for anyone who appreciates the art of musical storytelling and songwriting that rides a rhythmic wave.

To stream and purchase “Innocent Filth,” log on to The Dust Ruffles’ Bandcamp page at www. thedustruffles.bandcamp.com.

So this happened!

04/04/19 - Review of Cosmic Factory's "It's A Boy"

"They can be labeled as a jam band, psychedelic rock or a power trio, but The Cosmic Factory have never been the kind of act that caters to that sort of thing. It’s a multi-dimensional sound that incorporates bits of jazz, blues and funk to create a fun vibe. They’ve been bringing this vibe out of Providence, Rhode Island’s music scene since the start of the decade. There’s also an interesting combination of talents with the shredding from Lee McAdams on guitar, the groovy low end of Mike Baker’s bass and the rhythms flowing from Dewey Raposo on drums. The band’s sophomore full-length It’s A Boy! was birthed independently on March 30 and there’s a ton of artistic progression being exhibited.

What makes the new album different then their 2013 debut LP, Welcome To…, is the stellar production courtesy of George Dussault at Galilee Productions in Cumberland, Rhode Island. Each of McAdams, Baker and Raposo’s skills seem to have more of a presence within each song. The ears can hear the solos, the beats and the bass lines equally with neither being overpowering. There’s also a lot more of a heavy tone this time around. It’s evident that the band was influenced by a ton of stoner metal before they entered the studio." - Rob Duguay.

01/11/16 - George Interviewed on the passing of icon David Bowie

Click here to read the article.

10/11/14 - Quote from a new interview with Sunshine Riot:

What was it like to work with George Dussault and how has that relationship developed?
George is nothing short of brilliant. He’s also one of the kindest people you’ll ever meet. Working with him over the course of two records has been incredible and probably the most important element in our development as a band. I think we’re all very demanding of each other, in a positive sense. George knows us musically better than anyone else on earth – he doesn’t let us phone it in if we’re too hung over and he doesn’t take any shit. We lean on him heavily as a producer and don’t rest until the song is right – that’s how he works and it’s how we work. We’re an odd couple, I guess, but it’s great partnership and we’re really lucky to work with him.

With a guy that has been on the GRAMMY ballot so many times– did you let him make his work and you followed instructions or there was an exchange of ideas?
George is heavily involved as a producer, of course, and when it comes to much of what he does from an engineering perspective, we stay out of his way. But the production of the songs, the thematic tone and direction, that’s all uber collaborative.

Thank you, gents, for the kind words. We love Sunshine Riot.

10/9/14 - Excellent Review of SexCoffee's new EP Nothing Personal by Chris Conti and the Providence Phoenix

SexCoffee (definition: “The act that ensues after inviting someone into your home for coffee when the true intention is intercourse”), fronted by lead singer Ruth Charbonneau and bassist Sharlene DeNardo, return with a new five-song EP titled Nothing Personal. The band has been in business since 2003 and has undergone some personnel changes since taking Breakthrough Act honors in our 2009 Best Music Poll (which included a memorable exchange with special-guest presenter Vinny Paz). The ’09 EP The Morning After was a decidedly heavier dosage of SexCoffee than the 2007 full-length debut The Drink You Paid For (aside from louder cuts “Last Night” and “August”). The leadoff single “Damascus” and “Love Lust” had noticeably more punch, and Charbonneau had the vocal chops and snarl to match. Guitarist Robert Dumont replaced Rick Gallego in 2012, and the addition of ex-Kanerko drummer Nick Iddon speaks volumes (literally) across Nothing Personal. Dude is a buck-fifty soaking wet but hits the kit like a heavyweight.

“SexCoffee and Kanerko shared a bill during our final run in 2012, and I thought Ruth and Sharlene were total badasses,” Iddon told me earlier this week. He would later join Kris Hansen’s Viking Jesus crew, but still needed an outlet to unleash the beast.

“I needed to find a good harder-edged rock act to get my ‘smash the hell out of a kit’ energy that I can’t fully release with Viking Jesus, and I have definitely found it with SexCoffee” he said. “I am honored they let me in their band.”

Iddon and DeNardo previously worked together as part of Malyssa BellaRosa’s backing band the Liberators, and the pair are locked in from the opening track, “Heart On a Shelf,” alongside Dumont’s ringing chords. “Ready or Not” is an ’HJY-ready track, and Charbonneau’s booming vocals lead the way on “Lying To Yourself.” Iddon sets the rumbling pace on the crushing finale “What it Takes.” SexCoffee recorded the EP with revered producer/guitarist George Dussault (also of Viking Jesus), who also worked with local rock greats Sweet Love, the Can’t Nots, and many others.

All three SexCoffee releases are available at cdbaby.com and iTunes; visit sexcoffeeband.com for info on more upcoming shows.

And thank you Chris for your great review!

Viking Jesus wins Motif Magazine Best Rock Band 2014 Award!

From the Motif Magazine:

"Viking Jesus enjoyed a banner year, playing all over the area showcasing their top-notch chops. Viking Jesus is singer/songwriter Kris Hansen, guitarist George Dussault, drummer Nick Iddon, Uriah Donnelly, and Evan Gilroy. Viking Jesus is a bit of a departure from Hansen’s previous work. Viking Jesus adds an element of electronica to give Hansen’s tunes a bit of a trip hop feel. Their debut self-titled album channels the likes of The Beatles, Flaming Lips, Brit pop and funk. Between Hanson’s classic pop songwriting, Dussault’s shredding and Iddon providing the back beat, Viking Jesus has been thrilling audiences all over the state. Be on the lookout for more shows in the future, and check out Hansen’s Dropout Night every Monday at The Spot with Big Jon Tierney."

Reviews for Tammy Laforest's album Copper

"Right now as I write, I find myself singing along. Its now my fourth time in a row listening to this album.

It literally took seconds to download the digital copy, and less than that to be stunned. Its rare for me to find an album where I like every song, and this one is definitely on that shelf.

That voice is utterly beautiful, and it can be haunting (Gave me goosebumps). And beauty doesn’t just run in the pipes, she’s gorgeous! Go have a look at her! And obviously very deep underneath, which pours from her lyrics. It shows her strength.

The instrumentals, and Tammy’s voice could not be more perfect together. They compliment each other nicely. I have to mention the guitar solo in Copper… I’m an absolute sucker for guitar solos, and this weakened me. Well done, Sir!

Its also been pointed out that I’m fan girling… Totally true.

All in all, its effin’ catchy, and amazing. I’m very thankful to the awesome girl who recommended it. Tammy, you’re going far!"

Viking Jesus

Mark Clarkin - Motif Magazine - Dec 13, 2012

Viking Jesus is singer songwriter Kris Hansen's latest project in combination with George Dussault and it's a bit of a departure from his previous work. Viking Jesus adds an element of electronica to give Hansen's tune a bit of a trip hop feel. The album kicks of "Ebola," which has a hypnotic groove and a killer Beatles-like turn in the outro. Hansen's vocals sound defiant on many of the tunes including "1 & 7" in which the urgency conveyed gives the tune an almost stripped down version of Slim Cessna's Auto Club feel. "Traffic Song" has a Brit pop feel in a Blur-goes-trip-hop kind of way.

Viking Jesus revisits my favorite tune from Hansen's previous release (Kris Hansen's Left Hand Band Presents The Kollective), "My Disclaimer," providing the McCartney-esque melody a facelife while retaining hope through the darkness. "Big Brother Blues" has a jam band funk flavor. The record closes with an untitled track, which features some ferocious '60s fuzz guitar shredding over the electronic beat. All and all, I dig the new direction than Hansen and Dussault have embarked on with Viking Jesus.

Groovy Rhythm

BY RICK FOSTER SUN CHRONICLE STAFF - Dec 14, 2011

Founded by North Attleboro drummer, percussionist and educator Rick Morin, The Rhythm Room is known for eye-popping stage shows and original music that covers the musical waterfront from pop to rock, blues to jazz and African rhythms to country.

Now the versatile troupe has taken on an even bigger challenge: topping their well-received first two albums. Judging by their newly-released CD "Groove Infusion," it appears they have succeeded.

Those who know The Rhythm Room from their crowd-pleasing stage shows at Showcase Live or their well-conceived original songs will be well-pleased with the group's latest offering from its high octane title tune to its sensitive love songs that make up a genre-bending trip around the musical universe.

Anyone who isn't familiar with the North Attleboro based group will be astounded by the musical capabilities of the band, blending Broadway-style glitz with the spontaneity of a rock concert.

Members of the Rhythm Room cast will be performing original music along with holiday tunes and classic covers Friday evening at the Lighthouse Bar at Twin River Casino in Lincoln, R.I.

Groove Infusion was produced by Cumberland audio wizard and prolific guitarist George Dussault, who polishes the slick production to a high sheen. The record also features equally sharp songwriting that swings from the driving rock of "Groove Infusion" to a Louisiana drawl on the bayou-friendly "Cajun Lullabye" and a Nashville-esque "Hiccups and Heartaches" whose lyrics give a musical kiss-off to a fickle boyfriend.

There are also brassy blues instrumentals ("Jibberjam"), Blood Sweat and Tears-reminiscent rock hybrids ("She Devil") and ample demonstrations of the group's virtuosic percussion roots ("The Core," "Birchbark and Glowsticks").

The surprise is that all this genre-hopping in one package works. It does because for several reasons: tight, purposeful songwriting, adherence to carefully-crafted themes, high production values and the multi-instrumental and vocal capabilities of a talented cast.

Julie Marinucci and Tom Frederick highlight a cadre of talented vocalists while Morin, Dussault, Alan and Kait Clavette, Micah Weaver, Seth Antonitis and Tyler Matte as a group more than hold their own on everything from keyboards to African drumming and brass instruments to the digeridoo.

If you're in the market for a last-minute stocking-stuffer, "Groove Infusion" will have your favorite music fans rocking in front of the Christmas tree. Copies can be ordered on the group's web site, www.rhythmroomlive.com.

The Sun Chronicle, Attleboro - No. Attleboro, Mass. s Thursday, October 2, 2008

Rhythm Room aims high and succeeds with "Circle of Souls"

BY RICK FOSTER

SUN CHRONICLE STAFF

Few musicians or composers would try to compress the story of rhythm and its influence on life and music into a single, live show or a CD.

But that's precisely what The Rhythm Room, percussion-based ensemble conceived by drummer and music educator Rick Morin, does in its new live show and indie CD titled "Circle of Souls." The result, which the band rolled out on stage Friday and Saturday at Rhode Island College, turns out to he far more than a collection of songs.

Circle of Souls, which tracks the beat of human experience through the blues, urban rhythms, African, native American and World Music, is a complete thematic experience that invokes soul, street beats, jazz, rock and even hip hop through 16 original - and memorable - tunes. Produced by multi-instrumentalist and all-around sound wizard George Dussault, the disc must qualify as one of the most significant works of art ever released by a local ensemble or soloist.

Morin, who hosts a North Attleboro cable TV music show also called The Rhythm Room, is the visionary who built the band over the course of several years from a cadre of former students and highly virtuosic friends. Morin himself either wrote or collaborated on more than half the songs.

Unlike other contemporary percussion groups, The Rhythm Room does more than drum on trash cans, plumbing and floorboards. They integrate guitars, synthesizers, horns and lush vocal harmonies to create a full- flavored melodic experience.

Vocalist Julie Marinucci, who co-wrote several of the songs, lights up the disc with her at-times soulful, at-times soaring voice. On "In The Beginning," which she wrote, Marinucci sets the scene with a sensitive preamble that leads into "One Voice," a powerful, optimistic anthem written by Dussault and Morin. Songs like "Beat Street," a collaboration with rapper D-Rhyme, capture the percussive energy of the streets. "Maka Sica," which Marinucci sings partly in Spanish, brings listeners ringside to what one imagines to be a Barcelona cabaret.

The influences and the genres roll on and on. But variety somehow reinforces rather than dilutes "Circle of Souls," a unified whole made from disparate but complementary pieces.

While The Rhythm Room is essentially a collaboration between nine musicians including Morin, guitarist-producer Dussault's influence is felt more than most on the tour de force disc. Dussault's piano and synth parts underpin a good part of the album, and his versatile guitar playing is prominently on display as well.

Dussault, a top-class studio producer who has worked with both local and national talents, also gives the new CD a 'live' feel by minimizing spacing between individual cuts and underlaying the recordings with a subtle background that simulates an expectant concert crowd.

Both the disc and the live show rely on a cast of highly- versatile musicians who must fill multiple roles. Morin, Harry Hagan, Micah Weaver and Dave Davignon provide the core of the Rhythm Room's percussion. Seth Antonis doubles on percussion and digeridoo. Alan Clavette plays trombone as well as performs keyboard and vocal parts, while Kait Clavette plays trumpet and euphonium as well as singing backing vocals and performing on keyboards, guitar and trumpet.

Tom Frederick sings as well as narrates and plays world percussion.

The Rhythm Room videotaped its performances last weekend for a future DVD that they can show to potential bookers. Morin is candid about his desire to promote a national tour for The Rhythm Room, and his confidence is not misplaced.

In a world of Celtic Woman, Celtic Thunder and River-dance, the world is ready for a live ensemble founded on something other than step-dancing, stage prop castles and hackneyed pub ballads.

Selected Credits from Client Albums:

Dino Club - Bright Screen Wide: "A very special thanks to George Dussault, who could have just engineered the record, but instead opened his heart and ears and became much more; producer, friend and fellow Dino. Thank You."

Bohemian Quartet - Beyond Tradition: "Special thanks to George Dussault, a truly amazing recording engineer who managed to capture us at our best moments and the put it all together for this CD."

Rhythm Room - Circle of Souls: "Special thanks to George Dussault for his amazing talents as musician, songwriter and producer; Instruments played by George: Piano, Guitar Bass, Acoustic Guitar and Synthesizer."

Baylock - One Good To Be Told: "George Dussault, you are just as much a part of this album as us. Beyond just tolerating and recording us, you've made us better musicians in the process."

Joe Parillo Trio with Jay Hoggard - Segments: "Thank you to George Dussault for his extraordinary ears and always the extra in engineering."

Antoinette Ferrara - Meditations of the Heart: "Thanks to George Dussault for working tirelessly to ensure the completion and quality of this project - You're the best!"

George would like to thank our clients for supporting Galilee over the years, and for their kind words.

"...A Celebration of Sound...Pick up a copy. It's a plain ol' blast..." - Bob Gulla, the Providence Phoenix

Amsuno George Dussault hooks Clokworx emcee AmsUno up with a beat that just rolls along. Dussault drops a cut similar to the production of Celph-Titled, so if you're into that steez, than cop this. The RI emcee drops sarcastic rhymes that not only make you think, but also bump to move heads. "Brimstone & Fire" is nice, so roll your pennies and buy this.
undergroundhiphop.com

Rhode Island based duo Clokworx still remains as one of the most interesting up and coming acts of the indie hip-hop movement. And after blessing us with goodies (and near-classics) like the 1999 "Mental Flux" wax debut, Clokworx also delivered last year's dope "Preservatives" single on Cybertek which also held the favorite "Robots". Now it's time for one half of the duo, emcee Ams Uno, to attack on his own. We're getting "Your Brain On Ams" b/w "Brimstone & Fire" on a nice piece of 7" plastic, out on Commonwealth. And these gems are two pure bangers, really. Ams' own beat delivered in the title cut hear, is nothing put pure heat. Beat is standing out on its own (spiced with cuts from DJ Orator) but Ams Uno is also remarkable as a unique lyricist by all means. He's showing that on this wax (again). B-side selection "Brimstone & Fire" is a more of a straight laced banger by George Dussault. And while we're again getting the top notch beats we want, this track is another example of how dope Ams Uno really is when he's rollin with full throttle on the mic. Really dope, and we are just LOVING this record. For its upright honesty, and for its strict, basic hip-hop sound. Ams Uno will drop a full length somewhere this summer, but make sure you bang this record through-out the entire spring season. It IS that good.
Boom-bap.com

"George was not just an engineer or producer on our project. Rather, he was the fifth member of the band, someone who brought new ideas to the table. These ideas were fresh, new, and great suggestions that made our album more dynamic. We wouldn't choose another person to work with."

"George's ear for music is unparalleled. He knows what sounds right, and how to improve musical choices. He strives to make everything sound the best as possible and succeeds." - Acronym